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Jean Delvoye was a Belgian baritone, born in Liège in 1854, died Ougrée on 13 June 1938, who, after working in the French provinces, enjoyed a long career in Paris, centred on the Opéra-Comique, and left some recordings representative of his repertoire. == Life and career == Delvoye studied singing at the Conservatoire de Liège under Georges Bonheur, obtaining a 2nd prize after only five months. He also won two first prizes in the "déclamation lyrique" class of baritone Sébastien Carman.〔 Around 1881 he appeared in several performances of opéras comiques at the Salle de Fontainebleau in his home city.〔''Bulletin de la Société liégeoise de Musicologie''. No 80, January 1993, p28.〕 He sang in Dunkerque during the 1886-1887 season,〔''L'Europe artiste''. No 39, October 24, 1886, p2.〕 before moving on to Angers (1887-1888) then Nantes for two seasons, singing Zurga in ''Les pêcheurs de perles'', and appearing as well in ''Les dragons de Villars'', ''La Béarnaise'', ''Si j'étais roi'' and ''Le Roi d'Ys''. He spent 1890 to 1893 in Marseille, where he also took lessons from Ismaël as well as appearing in local premieres of ''Le Rêve'' et ''La Basoche''. Later he sang in Nice then in Lyon, where he was praised for his superb method, stunning virtuosity, and his Beckmesser was singled out for praise.〔(''Le Passe-temps et le Parterre réunis'', Lyon, 31 October 1897. ) Retrieved 28 August 2013.〕 His Paris début was at the Théâtre du Château d'Eau on 27 October 1898 as Ourrias in ''Mireille''. At the Salle Favart, created ''Céleste'' (the role of Mazurier), ''le Chemineau'' (Thomas), ''Circé'' (Politès), ''La Danseuse de Pompéi'' (Philippe), ''La Fille de Tabarin'' (Frère Eloi), ''Le Follet'' (Jeannic), ''Les Fugitifs'' (Méraudon), ''L'Heure Espagnole'' (Inigo),〔Stoullig E. ''Les Annales du Théâtre et de la Musique, 37eme edition, 1911.'' Librairie Paul Ollendorff, Paris, 1912, p121.〕 ''Télémaque'' (Ménélas), ''Mârouf'' (Vizir), ''La Marseillaise'' (Moreau), ''Myrtil'' (Probulos), ''La Petite Maison'' (Dominique), ''La Reine Fiammette'' (Lucagnolo), ''La Revanche d'Iris'' (Diogène), ''Sanga'' (Gauchut), ''Le Secret de Maître Cornille'' (Cornille), ''Solange'' (le Maire de Saint-Dié), ''Titania'' (Mathieu), ''Les Visitandines'' (Frontin), ''Feminissima'' (le Précepteur) and sang in major revivals and local premieres of ''Hansel et Gretel'' (le Père), ''Macbeth'' (le Portier) and ''Tosca'' (le Sacristain),〔Wolff S. ''Un demi-siècle d'Opéra-Comique (1900–1950).'' André Bonne, Paris, 1953.〕 He also appeared in ''le Barbier de Séville'' (Figaro, Bartholo), ''La Basoche'' (Duc de Longueville), ''Carmen'' (Escamillo), ''Cavalleria rusticana'' (Alfio), ''Le Déserteur'' (Montauciel), ''Don Juan'' (Mazetto), ''Don Pasquale'' (Malatesta), ''Les Dragons de Villars'' (Bellamy), ''Le Farfadet'' (Marcelin), ''L'Irato'' (Scapin), ''Falstaff'' (Ford), ''Fortunio'' (Maître André), ''Le Jongleur de Notre-Dame'' (Boniface), ''Lakmé'' (Frédéric), ''Louise'' (Chansonnier), ''Madame Butterfly'' (Sharpless), ''Le Maître de Chapelle'' (Barnabé), ''Maître Wolfram'' (Wolfram), ''Manon'' (Brétigny, Lescaut), ''Les Noces de Jeannette'' (Jean), ''L'Ouragan'' (Gervais), ''Le Roi d'Ys'' (Karnac), ''Sapho'' (Césaire), ''La Traviata'' (d'Orbel), and ''La Bohème'' (Marcel).〔 Antoine Delvoye published an article (in French) entitled 'Un grand artiste wallon : le baryton Jean Delvoye (1854-1938) in ''La Vie Wallonne'', Tome 53 (1979), p. 175-219. 抄文引用元・出典: フリー百科事典『 ウィキペディア（Wikipedia）』 ■ウィキペディアで「Jean Delvoye」の詳細全文を読む スポンサード リンク
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